Welcome to the world of Douglas Myles, professional mimic, where comedians dominate the entertainment landscape, and Myles becomes the most famous of them all. His fans and rivals know whom he can mimic—every speaker in the world, it seems—but they still want to know the man behind the voices. Even when he stops performing and disappears from view, even after his death, their interest in him doesn’t fade. When an autobiographical but enigmatic manuscript is discovered, do lay comedy fans and Comedic Studies scholars have access and insight to the real Douglass Myles? Or has this tale of voices and silences, laughter and sadness, solitude and crowds, race and identity only just begun?