Born in 1962, Alison Croggon is one of a generation of Australian poets which emerged in the 1990s.She writes in many genres, including criticism, theatre and prose.
Alison Croggon is the author of the young adult fantasy quartet, The Books of Pellinor. The first volume was nominated in two categories in the Aurealis Awards for Excellence in Australian Speculative Fiction in December 2002 and named one of the Notable Books of 2003 by the Children's Book Council of Australia. The series has since been released to critical and popular acclaim in the US, the UK and Europe. Her new novel Black Spring will be released in 2012 and a children's book, Jimmy Wonderspoon (ages 9-12), is available as an ebook.
Her poetry has been published widely in anthologies and magazines in Australia and overseas. Her most recent poetry publication is Theatre, (Salt Publishing 2008).Others are Ash (Cusp Books, Los Angeles 2007), November Burning (Vagabond Press Rare Objects Series, Sydney, 2004); Mnemosyne,(Wild Honey Press, Ireland, 2001); The Common Flesh (New and Selected Poems) (Arc Publications, UK, 2003) and Attempts at Being (Salt Publishing, UK, 2002).
Her first book of poems, This is the Stone, won the 1991 Anne Elder and Dame Mary Gilmore Prizes. Her novel Navigatio, published by Black Pepper Press, was highly commended in the 1995 Australian/Vogel literary awards and is being translated for publication in France. Her second book of poems, The Blue Gate, was released in 1997 and was shortlisted for the Victorian Premier's Poetry Prize. Attempts at Being was shortlisted for the Kenneth Slessor Poetry Prize in the NSW Premier's Literary Awards. In 2000 she was the Australia Council Writer in Residence at Pembroke College, University of Cambridge (UK).
Alison has to date written and had performed nine works for theatre.Her performed work includes the operas Gauguin (Melbourne Festival 2000) and The Burrow (Perth Festival, Sydney, Melbourne 1994-95 and broadcast by ABC Radio), both with Michael Smetanin. Her plays include Lenz (Melbourne Festival 1996), Samarkand and The Famine (Rules of Thumb season, Red Shed Company, Adelaide 1997 and ABC Radio 1998), Blue (CIA, La Mama, Melbourne and the Street Theatre, Canberra, 2001). ABC Radio commissions include Monologues for an Apocalypse (2001) and Specula (2006). She also wrote lyrics for Confidentially Yours (Playbox Theatre 1998, Hong Kong Festival 1999).
Many of her poems have been set to music by various composers, including Smetanin (Skinless Kiss of Angels, Elision New Music Emsemble), Christine McCombe and Margaret Legge-Wilkinson (Canberra New Music Ensemble) and most recently Andreé Greenwell.
She was Melbourne theatre critic for the national daily newspaper, The Australian, until 2010, and keeps a blog of theatre criticism, Theatre Notes. at http://theatrenotes.com